A variety of regular broadcast cameras and specialised cameras such as super-slowmotion or ultra-slowmotion cameras

Cameras

The PXW-Z750 4K XDCAM is a Shoulder Memory Camcorder. With 4K/HD compatibility, you can make heavy use of this camcorder not only for ENG but also for a variety of 4K/HD TV program applications including live events.
The PXW-Z750 incorporates a newly developed 3-chip 2/3-type 4K CMOS image sensor which delivers stunning high picture quality with high sensitivity, an excellent S/N ratio, and deep depth of field.
The hallmark of the PXW-Z750 is its global shutter which helps you to achieve clear image shooting in any kind of situation by avoiding flash band and the jello effect.
Furthermore, the PXW-Z750 supports conventional 4K XAVC Intra/Long as well as new XAVC QFHD Long422 200 recording. This is helpful for producing 4K programs in a lower bit rate while keeping high image quality, at the same level as XAVC-Intra QFHD, and achieving longer recording hours, lower media cost, and faster file transfer. It ensures 10-bit quantization and 4:2:2 color sampling, making the PXW-Z750 an ideal choice for HDR productions.
In addition to these fundamental functions, this camcorder also offers B4 mounting, convenient networking features, and a user-friendly ergonomic-design weight balance – all of which are highly beneficial to shoulder camcorder users.

Capable within a RF wireless camera setup with camera control.  

Sony’s PXW-Z450 combines 4K resolution (3840 x 2160) with familiar shoulder-mount ergonomics and even takes 2/3-inch B4 lenses. Here’s the ideal 4K acquisition tool for news, documentaries, live events and general field production.Now with firmware V3.00, the camera offers High Dynamic Range (HDR) recording and output, 4K and HD simultaneous recording to a single card and – using the CBKZ-Z450QL license, sold separately – 4K 59.94p/50p output.
The heart of the PXW-Z450 is Sony’s innovative 2/3-inch Exmor RTM CMOS sensor, which delivers stunning images in 4K and HD. The B4 lens mount enables you to use existing HD lenses or attach the new generation of 4K lenses to achieve images of incredible texture and detail.
Enjoy fine-tuned weight balance and experience low power consumption and convenient networking. Select from a range of Sony’s XAVCTM 4K and HD recording formats. Achieve critical focus with a choice of HDVF Series OLED viewfinders, sold separately.

The PXW-X500 has three 2/3-inch type Full HD CCD sensors, offering a high sensitivity and low noise image. The camcorder gives broadcasters a high degree of flexibility, allowing you to shoot in a wide variety of HD and SD formats, including 1080 XAVC Intra frame 59.94p*, 50p*, 59.94i and 50i, as well as XAVC Long GOP, MPEG SStP 422 Lite (HDCAM SR), MPEG HD 422 and MPEG HD 420, MPEG IMX and DVCAM. Options allow the camcorder to record directly in Avid DNxHD and Apple ProRes, offering direct compatibility with NLEs. The camcorder also has a host of leading professional features, such as Slow &amp; Quick Motionup to 120 fps for XAVC (as an option), wireless operation, picture cache recording, built-in GPS, Digital Extender, HyperGamma/UserGamma and many more. A wide range of connectors, including 3G/HD/SD-SDI, HDMI and USB, increase the flexibility further.

The HDC-3500 system camera brings new levels of image quality, portability and creative flexibility to live production environments. Enjoy premium 4K/HD/HDR picture quality – and anticipate tomorrow’s production needs while maintaining full compatibility with today’s workflows and system hardware.
 

Supporting 1080i, 720p and PsF Formats (LDX 80 Elite). The Grass Valley LDX Camera System offers the highest possible quality for HD live and studio based productions.
The Broadcast Rental BCR Databack for the Grass Valley LDX80 Elite (or LDX86) is custom built by Broadcast Rental. This databack incorporates VideoSys CCCU and works well with Cobham or VisLink Link transmitters. It’s designed in house and makes a perfect camera for anyone to use in the Grass Valley environment. It is for hire together with our Cobham or VisLink Link RF Wireless systems at Broadcast Rental.

The HDC-P50 is a light, compact Point of View (POV) system camera. Integrating seamlessly with existing HD infrastructure, lenses, and accessories, it gives ambitious program makers exciting new possibilities for creating HD, 4K HDR, and HD HFR productions.
This light and compact POV system camera features the world’s first 2/3-inch 4K global shutter three CMOS sensor system, delivering exceptional images with impressive sensitivity and wide dynamic range.
The camera can directly output remarkably crisp, clear 4K HDR images directly from the camera head with no need for a separate processor unit. Moreover, HD HFR up to 6x can be output from camera directly. Used alone or as part of a multi-camera shoot, the HDC-P50 can be crane-mounted or operated as a fixed camera position. It’s also ideal for a wide range of other shooting situations, such as in combination with a camera stabilizer, in handheld mode, during wireless shooting, or while filming aerial footage from a helicopter.
The Broadcast Rental HDC-P50 is equipped with the 4K License HZC-UHD50, and also the HZC-PRV50, HZC-PSF50 licenses. 
Formats that the HDC-P50 can handle:4K/59.94p and 4K/50p1080/59.94i, 1080/50i, 1080/59.94p, 1080/50p, 720/59.94p,720/50p, 1080/23.98PsF, 24PsF, 25PsF, and 29.97PsF.

With all of the control features of the LDX Series, LDX Compact establishes a new standard for compact image acquisition — focusing strongly on the specific requirements for cameras with a smaller form factor. All of the typically required video interfaces are available directly on the camera head, including a USB connection for the management of GV-eLicense, firmware upgrades and scene file storage. LDX Compact cameras also offer an HDMI interface for connecting any HD display with an HDMI or DVI interface for camera viewfinder or monitoring display.

The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!
 

Blackmagic Micro Studio Camera 4K G2 is an amazing, broadcast quality live production camera in a tiny body. The Four Thirds sensor has 13 stops of dynamic range, incredible low light performance and produces stunning Ultra HD images in all lighting conditions. 12G-SDI Micro BNC connectors support 10-bit uncompressed video up to 2160p60 and 2 channel audio on the output. The input supports tally, camera control, control of the built-in color corrector plus lens control, from an ATEM switcher. Or when using an ATEM Mini switcher, the HDMI connector will output 1080 and support all control features. Plus it's even a Hollywood quality cinema camera because it can record Blackmagic RAW to external USB-C drives. With multiple mounting points, place Blackmagic Micro Studio Camera 4K G2 where no other camera will go!

The Sony FX6 is Ready to tell amazing stories. The FX6 packs a highly sensitive, full-frame image sensor with the power to expand your moviemaking creativity. To use it in a Movi Rig with RF transmitting it needs to be as small possible. Thats why Broadcast Rental developed there own rig around the FX6 without the handle but we kept the audio inputs.

The AW-UE150 is a new 4K integrated Pan/Tilt/Zoom (PTZ) remote camera that offers 4K/UHD 60p capture. The UE150 also affords the widest viewing angle (75.1 degrees, horizontal). With an HDR mode, support of various 4K interfaces and simultaneous 4K/HD output, the AW-UE150 is the perfect remote camera for higher-end applications in broadcast, production, corporate, events &amp; staging, education and more.
The 4K interfaces supported include 12G-SDI, HDMI, optical fiber, and IP. The UE150 features a larger tally light for more effective on-air indication where needed. 
The AW-UE150 will come along with the AW-RP150 Advanced Camera Controller for Panasonic PRO PTZ Robotic Cameras. 

The Bradley Camball 3 offers full HD broadcasts and SD / HD images are remotely configurable. The Camball 3 is fully weather resistant and can be left outside for a long time in all kinds of weather conditions. It can be mounted in both directions. By means of slip rings, the Camball is able to pan continuously 360 degrees. Wide angle converter can be easily mounted on the camera. All camera functions can be controlled remotely via our RCPs. This camera is used on many high-end programs worldwide. The console offers the operator the possibility to operate several Bradley Camballs at the same time by means of a joystick. 99 preset positions can be stored and recalled. This includes: Pan, Tilt, Zoom and Focus for each preset. These positions, and all camera settings, are automatically stored in non-volatile memory. Long-distance communication via fiber is also possible!

The CV225 utilizes the latest sensor technology in a compact and sleek weatherproof design while maintaining broadcast standards. The CV225 is ideal for professional broadcast television applications including professional sporting events, reality television, live music events, broadcast trucks, weather vehicles and house of worship installations.

Capable within a RF wireless camera setup with camera control. 

Cyanview’s RCP is a multi-camera control panel that provides shading over most brands and types of cameras used in broadcast. Physical knobs and a touchscreen gives you instant access over most camera settings and allows for an effective matching of your cameras.
The integration with the routers or switchers brings a quick access to all your cameras from a single panel as there are no limits in the number of cameras supported. All Cyanview technologies are integrated together to offer a whole set of key functionalities: tally, wireless, wi-fi, remote production, pan-tilt heads and gimbals control, motorized lenses, etc.
To match your specialty cameras on top-tier productions or to shade your main ENG camcorders or D-Cinema, Cyanview’s RCP offers a major uptick in quality and efficiency, both for setup and operations.

The RCP-1500 remote control panel incorporates an LCD display with direct operation switches and a touch panel, which makes it a remote control panel that offers both ease of operation and multi-functionality that compares favorably with the MSU. The iris and master black adjustment block employs joystick type control. Up to four units can be mounted in a 19-inch EIA rack.

The MSU-1500 master setup unit is a control panel for camera configuration and maintenance. It is a compact, vertically-oriented device (as opposed to the MSU-1500, which has a larger, horizontally oriented panel), and can control multiple camera systems, using either the CNU-700 Camera Command Network Unit, or using a LAN, in which case up to 96 cameras can be controlled.

Intuitive Camera Control for Ease of Use and One-Person Operation
A ZOOM/FOCUS rocker mounted on the joystick manages pan and tilt operations for zoom and focus control and intuitive single-handed operation.The built-in touch display allows for easy and quick operation of all essential camera functions.

The 7.4-inch* HDVF-EL75 Viewfinder delivers strikingly high contrast, a wide dynamic range, and a fast response time thanks to the use of revolutionary Organic Light Emitting Diode (OLED) display technology.
OLED panels help prevent light emission when reproducing dark shades, resulting in very deep blacks and a contrast ratio of more than 1,000,000:1. The lack of a backlight allows the device to control all phases of light emission from zero to peak brightness. The innovative technology delivers exceptional colour expression and detail without wasting power, so it is also an exceptional energy-saver.
High Definition acquisition requires extremely precise focusing, so OLED image quality delivers significant benefits by allowing the operator to accurately see contrast and colour levels when framing a shot. A wide viewing angle aids operator comfort while an extremely fast response time is particularly useful for applications such as sports coverage.
In addition, the HDVF-EL75 is packed with a wide range of sophisticated, user-friendly features such as Focus Assist, four assignable switches and a position-adjustment mechanism with unprecedented flexibility.

Broadcast Rental in house build ICE Cam. This product does have two RF cameras on both sides  

Sony PXW-Z750 4K/HD ENG Camera kit

Sony PXW-Z450 4K/HD ENG Camera kit

Sony PXW-X500 HD ENG Camera kit

Sony HDC-3500 HD

Grass Valley LDX80 Elite RF camera body

Sony HDC P50

Grass Valley LDX C86N

Blackmagic URSA G2

BM Micro Studio Camera 4K G2 + Panasonic Lumix 8-18mm F2.8-4.0 lens

Sony FX6

Panasonic UE150 PTZ camera (set 2pcs)

Bradley Camball 3 / S3 PTZ Camera (1 cam set)

Marshall 2.5MP Mini Lipstick camera

CyanView Camera Shading

Sony RCP 1500/1530

Sony MSU-1500

Panasonic AW-RP150 Remote Control Panel

Sony HDVF EL75 7,4" OLED viewfinder

ICE CAM